Archive for the 'Film Theory & History' Category

Red Digital Cinema Workflow Case Study

Wednesday, May 14th, 2008

Director Brandon Dickerson had seven days to shoot and post the music video promo for the upcoming Disney release The Chronicles of Narnia: Prince Caspian. The concept was to take the […]

Cannes Short Film Corner, May 14th to 24th, 2008!

Wednesday, May 14th, 2008

From May 14th to May 24th 2008, the Festival de Cannes will present the 5th edition of the Short Film Corner, where you will discover an array of activities designed to help you develop your film projects.

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Warner Throws in the Towel on “Independent” Films

Saturday, May 10th, 2008

In an article titled Picturehouse, WIP to close shop — Warner Bros. shuts down specialty film units, Thursday’s Variety (5-8-2008), states

Warner Bros. has discovered a way to deal with the specialty film business — it’s staying away from it.
The flagship studio ended months of speculation Thursday by shuttering both

Picturehouse and Warner Independent Pictures. The closings […]

Crying CG Tears

Friday, May 9th, 2008

In director Boaz Yakin’s new feature film Death in Love — which premiered earlier this year at the Sundance Film Festival — actress Emma Bell gives a stellar performance in a great scene. The framing is in close-up, and Emma goes from a completely still face to an extreme emotional breakdown and back to a […]

Alliance of Motion Picture & Television Producers and Screen Actors Guild break off labor talks

Wednesday, May 7th, 2008

The Alliance of Motion Picture and Television Producers (AMPTP) and the Screen Actors Guild (SAG) broke off three weeks of contract talks without agreement on Tuesday, raisung the prospect of renewed Hollywood labor unrest after a 100-day writers strike that ended in February.

The AMPTP released a statement about 90 minutes after a self-imposed deadline for […]

“The curse of 24 frames per second” — James Cameron probes the Hi-Tech future of movies

Thursday, April 24th, 2008

Ah, James Cameron — a biblical scholar he ain’t — but a hi-tech leader in the film industry he is. In some ways he tries to out-Lucas George Lucas by praising the latest and greatest film gadgetry, primarily as a way of promoting his upcoming movie using that gadgetry (whatever it may be, Avatar, […]

Mike Figgis Chooses Super-16 Film over HD for Canterbury’s Law

Thursday, April 24th, 2008

Director/EP Mike Figgis, DP W. Mott Hupfel Said ‘No Way’ to HD
By David Heuring
April 24, 2008 Source: Film & Video
Director Mike Figgis may be best known for the acclaimed hit Leaving Las Vegas, which ushered in a continuing renaissance in Super 16 film production that began in the mid-1990s. Figgis has earned […]

African Film Series on Ousmane Sembène Completed

Wednesday, April 23rd, 2008

We recently completed the First African Film Series (on the late Ousmane Sembène — January 1, 1923 to June 9, 2007) ever held at Messiah College. Sembène’s influence on African filmmaking has often led him to be called “the Father of African film.” Perhaps this is not quite accurate, at least if it […]

David Bordwell demolishes Slavoj Žižek’s sloppy scholarship

Thursday, April 17th, 2008

Here’s a couple of bon mots from a great essay by David Bordwell, the leading film historian and theorist:

When Žižek tries to be serious and dismantle an argument critically, the results are vague, digressive, equivocal, contradictory, and either obviously inaccurate or merely banal. This might explain why he so seldom tries to be analytical. Vagueness, […]

Bollywood, prejudice and a path-breaking Muslim film

Friday, April 11th, 2008

Bollywood, the Indian film industry ruled over by a handful of Indian billionaires and their grind-house star system, has effectively banned all Pakistani films from showing in India for 43 years. India’s extreme prejudice against the films of its northern neighbor has finally been broken by a courageous Muslim film entitled “Khuda Kay […]